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Post by dashboll on Nov 15, 2015 12:00:08 GMT
About time we have thread for subway art, start of graff scene...
Let's get old skool
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Post by j0hnny on Nov 15, 2015 12:24:56 GMT
A couple of (very bad) pics from the Moca LA show, have got 100's of pics of the whole show stashed away on a hard drive. I will try to dig out better ones when i arrive home next week. Like i said before, i wasn't expecting to be going so only had the partners point and shoot camera which wasn't ideal but at least I got to go. Again if anybody has any info on the whats the best version of the Subway art book, it would be greatly appreciated.
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Post by feralthings on Nov 15, 2015 13:01:43 GMT
I googled the subway art book and the Martha cooper one popped up and that's what I was looking at in LA. Gonna grab a copy, what's the best one to go for ? The 25th Anniversary has additional photos, a couple of Q&As with Martha Cooper, a new intro and afterword from Henry Chalfont and is about 50% larger than the '84 Edition which is c.27x20cm; the only downside is that the 25th Anniversary edition is probably going to be too big for your bookshelf! Subway Art covers the golden age of train painting with the work of writers like Dondi and Futura but I'd also highly recommend 'The Faith of Graffiti' which covers the earlier days of graffiti and features some brilliant writing by Norman Mailer and photographs by Jon Naar. Bruce Davidson is a Magnum photographer who was shooting the NY subway system at the time has Cooper and Chalfont and his book entitled ' Subway' is definitely worth checking out too. The photographs are more about life on the subway rather than graffiti but it puts everything in context and there's lots of shots of tagged up car interiors from the early '80s and even the odd Haring chalk piece.
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Post by dashboll on Nov 15, 2015 15:58:29 GMT
feralthings just got off my arse and picked up the 84 edition, will check your other recommendations too
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Post by j0hnny on Nov 15, 2015 21:43:01 GMT
Thanks mate I will check it out!
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Post by feralthings on Nov 20, 2015 18:27:17 GMT
Lee Quiñones has just painted a large scale mural in the Hotel Indigo, in case anyone is visiting New York, and a post about Lee seems like a suitable place to start on a thread about graffiti's roots. He might not have been the first to paint the subway but he was the first writer to ever paint a whole car and he went to paint another 124 in total; his ' God Piece' even stretched over two whole cars. These photos came from his website and there's loads more goodies on there worth checking out: The iconic Howard The Duck handball wall was a game-changer in so much as it helped take graffiti out of the subway and onto the streets: (Photo from NYC1981) And he was also the first graffiti artist to have a gallery show way back in 1979. This is a sketch for one of the painting from that show in Rome and, personally, I think the flow and form and structure is just extraordinary.
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Post by Commissioner on Nov 20, 2015 19:47:01 GMT
Lee Quiñones love this
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Post by feralthings on Nov 24, 2015 20:29:33 GMT
Ramm:ell:zee's last album entitled ' Cosmic Flush' is being released posthumously by Gamma Proforma next month. They are also putting on an exhibition for the album including the artwork created by the likes of Futura, Doze Green, SheOne, Poesia and Will Barras; the show opens at the Magda Danysz Gallery in London on Thursday 10th December, 2015. If anyone isn't familiar with Ramm:ell:zee then you're in for a treat, as his brand of gothic futurism is like nothing else you'll ever encounter. There's no way I can do justice to Ramm:ell:zee's universe in one post but I'd definitely recommend this interview with The Wire from 2004. Ramm:ell:zee had his own mind-bending theories on everything from quantum physics and mythology to algebra and symbology and this permeates both his art and music. The most astute thing I've read about Rammellzee was in his 2010 obituary that appeared in the LA Times and ends with the lines: " It remains unclear whether he was born 600 years too early or 600 years too late. We probably won't know for another 60. But right now, it's evident that no style was wilder than Rammellzee's." Ramm:ell:zee painted a lot of trains back in the day but there are almost no photos of them online. Since he stopped painting the subway system he has been producing work created from the ephemera and debris he finds across New York's streets. These are some of his costumes he created for his performance art and for just walking around the city: These are Ramm:ell:zee's 'Letter Racers' which he created for cosmic battle: And here's some of his paintings:
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Post by speebe on Nov 24, 2015 20:49:33 GMT
Cannot wait for the Rammellzee exhibition...
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Post by sɐǝpı ɟo uoıʇɐɹǝpǝɟ on Nov 25, 2015 17:55:02 GMT
video I took of a freight train right outside the city.... quality aint great but if you pause it you can see a lot of nice pieces (don't worry - camera flips after a few seconds)
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Post by feralthings on Dec 6, 2015 19:14:36 GMT
Daze has just opened an exhibition at the Museum of the City of New York called ' The City Is My Muse' and he's doing a panel discussion with Lee Quiñones and Jane Dickson on 8 December 2015; there's further details here. Daze and Crash were the first two graffiti writers to make a living from painting, so they paved the way for lots of writers who came after them. At night they were painting the subway but during the day Daze way enrolled at the High School of Art and Design and they painted at Sam Esses' Graffiti 1980 Studio. Esses provided studio space and materials for the very best writers like Futura and Dondi to create pieces in a studio for the first time and it's almost certainly the best collection of golden-era graffiti. Unfortunately, the works have been sitting in a warehouse since then and Esses passed away a few years ago so there's concern that the collection will be sold-off piecemeal without the artists ever getting paid. Rafael Pesquera documented what was doing on at the studio: There's photos, like this one, of the trains that Daze painted on his website here. And I love this piece painted with Os Gêmeos, Tats Cru and Crash:
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Post by j0hnny on Jan 8, 2016 7:47:53 GMT
A few pics of my newly acquired Henry Chalfant's Children Of The Grave Return from 1980 Edition size on paper was 20 and I think there was some sort of edition on aluminium but at a later stage. Size Approx 1070mm X 250mm Coincidentally a Hardcover copy of Subway Art 25th Anniversary edition came in the post today and one of the centre foldouts was this image. Great find off Ebay which cost me hardly anything.
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Post by speebe on Jan 8, 2016 18:31:54 GMT
A few pics of my newly acquired Henry Chalfant's Children Of The Grave Return from 1980 Edition size on paper was 20 and I think there was some sort of edition on aluminium but at a later stage. Size Approx 1070mm X 250mm Coincidentally a Hardcover copy of Subway Art 25th Anniversary edition came in the post today and one of the centre foldouts was this image. Great find off Ebay which cost me hardly anything. Well done J... I was the underbidder, great find and a steal. I may have missed out, but glad it went to a fan!
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Post by feralthings on Jan 16, 2016 19:04:44 GMT
I thought I'd keep this thread ticking over with a 'wildstyle' double-header... Tracy168 started off using very simple typography but he went on to create 'wildstyle' itself by abstracting and stylising his letters. He doesn't get much of a mention these days but imagine being the guy who invented wildstyle! I think it's interesting that Tracy168 was painting in the Bronx at the same time that the Sugarhill Gang and Grandmaster Flash were laying the foundations of MC-ing and turntablism but he felt that wildstyle was more similar to jazz, in as much as they are both experimental and embrace a free-form approach to creating their art. (Photo from The Red List)The name Wildstyle was then used for the title of the film and Zephyr created the iconic 'Wild Style' logo/wall that was used for the cover. Personally, I think there's something really special about Zephyr's letter; the form and compositions was really something else.
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Post by sɐǝpı ɟo uoıʇɐɹǝpǝɟ on Jan 16, 2016 21:07:56 GMT
I thought I'd keep this thread ticking over with a 'wildstyle' double-header... Tracy168 started off using very simple typography but he went on to create 'wildstyle' itself by abstracting and stylising his letters. He doesn't get much of a mention these days but imagine being the guy who invented wildstyle! I think it's interesting that Tracy168 was painting in the Bronx at the same time that the Sugarhill Gang and Grandmaster Flash were laying the foundations of MC-ing and turntablism but he felt that wildstyle was more similar to jazz, in as much as they are both experimental and embrace a free-form approach to creating their art. (Photo from The Red List)The name Wildstyle was then used for the title of the film and Zephyr created the iconic 'Wild Style' logo/wall that was used for the cover. Personally, I think there's something really special about Zephyr's letter; the form and compositions was really something else. very cool! was reading Children of the Can this morning and made me want to watch Wild Stye again. haven't seen it in years
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Post by feralthings on Feb 4, 2016 17:54:51 GMT
Roger Gastman, who produced ETTGS and curated Art In The Streets, is releasing a film called ' Wall Writers'. The film covers the period between the birth of graffiti in Philadelphia in the late 1960s and the first graffiti painting being sold in New York in 1973; hence the film's subtitle, ' Graffiti In Its Innocence'. Given the individuals who are involved with this project I think it's got the potential to be something quite special. There are screenings coming up in Long Beach, San Francisco and at The Smithsonian, some of which will also have writers like Taki183 in attendance: There is also a book being released to accompany the film featuring interviews with pioneers like Cornbread. The book has a foreword by Barry McGee and it is hardbound, 10”x12”, 350+ pages, 800+ images and includes two inserts:
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Post by IggyWiggy on Feb 4, 2016 19:23:02 GMT
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Post by dashboll on Feb 5, 2016 7:27:27 GMT
Thanks feralthings that trailer looks great, picking up the book now nice price IggyWiggy If you're new to speedyhen use the code NEWCUST16 for another 5% off
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Post by j0hnny on Feb 13, 2016 5:48:10 GMT
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Post by IggyWiggy on Feb 26, 2016 18:45:56 GMT
Roger Gastman, who produced ETTGS and curated Art In The Streets, is releasing a film called ' Wall Writers'. The film covers the period between the birth of graffiti in Philadelphia in the late 1960s and the first graffiti painting being sold in New York in 1973; hence the film's subtitle, ' Graffiti In Its Innocence'. Given the individuals who are involved with this project I think it's got the potential to be something quite special. There are screenings coming up in Long Beach, San Francisco and at The Smithsonian, some of which will also have writers like Taki183 in attendance: There is also a book being released to accompany the film featuring interviews with pioneers like Cornbread. The book has a foreword by Barry McGee and it is hardbound, 10”x12”, 350+ pages, 800+ images and includes two inserts: Been dispatched from SpeedyHen. Looking forward to getting my teeth into this. Yes, literally.
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Post by feralthings on Feb 27, 2016 10:44:16 GMT
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Post by feralthings on Feb 27, 2016 20:39:12 GMT
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Post by sɐǝpı ɟo uoıʇɐɹǝpǝɟ on Feb 27, 2016 21:02:20 GMT
very cool! thx for posting. definitely worth a read just curious - are these same pics available in color?
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Post by sɐǝpı ɟo uoıʇɐɹǝpǝɟ on Feb 27, 2016 21:05:16 GMT
Been dispatched from SpeedyHen. Looking forward to getting my teeth into this. Yes, literally. You are in for a genuine treat - the book is pretty special! It's incredibly comprehensive, beautifully put together and has got to the definitive book of that period. wow that book looks sick. ordering now
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Post by ninthsonv2 on Feb 27, 2016 21:10:14 GMT
feralthings Thanks for sharing... Much obliged. Carry on...
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