I am getting a snifff of something

"New" posts on the Banksy instagram:

http://instagr.am/p/BRLvgxWjEBA

What do you think are these kids climbing into or out of heaven? I guess it is into heaven but the boy on the fence looks like he is going to jump to the outside... 

http://instagr.am/p/BRQ_VeLDKK_

and another observation - 3 pages here, 10 on the nostromo - given that enormity of the opening in art happening terms, the new works on display and the attention garnered, strange how little excitement is being shown. Maybe its 'cos it is viewed as an elitist installation that can only be viewed by those with deep pockets and time to spare. Or maybe it has been made clear that this will not be accompanied by any print release ( a public one anyway).

Also reads as a bit exploitative to me..... kinda like the Katrina tours in New Orleans.... lets outsiders feel like they've helped by coming to take a look and spend a few dollars, but not really providing the help the area really needs. Feels a bit more like a Vonnegut story about seeing foreigners in their "natural habitat" tourism

Sadly, poverty tourism has been a thang for many years now. If it can get people visiting and assisting discussion, then I am good with it

Some intriguing interpretations of this hotel, such as this one:


"Little wonder that Reuven Berko, considered one of Israel's top experts on Arab affairs, pulls no punches in addressing Banksy's latest propaganda stunt.

Writing in the Hebrew daily _Israel Hayom, _Berko reports:

"[Banksy's] people explain on Facebook that he 'found the most charged scenery and turned the hotel into an anti-occupation presentation … the artistic boutique creates a different reality which invites going out of the automat while melting the walls with courage and wisdom.' These are lofty intellectual words for describing an anonymous and cowardly antisemite … who came from England to work against the Jews. Someone with really courage will notice upon exiting this trippy hotel that it's built in an area safely under Israeli control. What the hypocritical artist most wanted was security. Had he built the hotel deeper inside Bethlehem, Banksy knows well the hotel would have had a different kind of 'ugly view': the ghostly remnants of the once large Christian community that has since been raped, robbed and decimated by terrorist militias." "

Hmmm ...




www.israeltoday.co.il/NewsItem/tabid/178/nid/31240/Default.aspx

Saudi Arabia Deports 40,000 Muslim Pakistanis
Saudi Arabia has deported a staggering 40,000 Pakistani migrant workers in the span of just four months, citing terrorism concerns.



The Saudi Gazette reported last week that “a number of Pakistanis were held in the crimes of drug trafficking, thefts, forgery and physical assault.” Authorities feared that some of the migrant workers were linked with ISIS, or as the Saudis call the terror group, Daesh. Other migrants were deported due to expired residency and work permits.
Oh, no no ..


Banksy please go to Saudi Arabia now - it's near the .. 

Like that last shot.
Seems to be taken from a higher vantage point than the out of bounds roof!

I wonder if you're allowed drones that close to the wall? Or maybe it's a case of get as many photos as you can before it's shot down? Or get as many photos as you can with your camera taped to a stick, before that gets shot?

[which has reminded me of that great Palestinian documentary '5 Broken Cameras']

Yes. The conflation of disapproving of actions taken by the government of Israel with anti semitic views is a common practise. It's a whataboutery of sorts, a distraction used by those who know their actions and behaviours are questionable. It reflects badly on them, at least to those of us who think. Unfortunately, as evidenced by the Brexit vote, Drumpf et al and the continued pursuit of neo-liberal policy by the Blairites in the Labour PLP, thinking is an activity people are engaging in less and less....

There’s already a “Banksy’s Guest House” in Bethlehem. It opened a decade ago.




This Saturday, a very peculiar hotel will take its first bookings. On the edge of Bethlehem, it claims to offer the “worst view of any hotel in the world” – because of its location on the Israeli Separation Barrier, a 400-mile wall cutting through the West Bank.

Filled with provocative art, Walled Off Hotel is the latest curveball from world-famous graffiti artist Banksy.

There’s just one problem: there’s already a “Banksy’s Guest House” in Bethlehem. It opened a decade ago.



Claire Anastas is a Palestinian Christian, born and bred in Bethlehem. She and her husband were, until recently, the owners of the only hotel along the Israeli Separation Barrier. Their small guesthouse, an apartment with four rooms that adjoins the Anastases' own home, lets you experience for a night what the Anastases live – waking up to the imprisonment of the walls.

The guesthouse was originally called the Walled Guest House, but Anastas says in 2007 she met Banksy, who was painting a dove caught between a sniper’s crosshairs in the street near her home.

“He was painting the tail and I wanted to thank him for this message of peace,” says Anastas. “He introduced himself, was so kind and smiled at me, and said, ‘Yes these are all my paintings’.”



She says he gave her permission to sell prints of his paintings and use his name to market her hotel. She went on to call her lodgings ‘Banksy’s Guest House’ on her website, though most know it as the Anastas House.

Is she therefore surprised that Banksy has opened a walled-in hotel so close to her own? “Maybe now he forgets,” Anastas says. “He met so many people.

“It's going to hurt mine – of course,” she adds. But Anastas has bigger worries. She has only what she claims is a verbal agreement with Banksy to use his name for her own guesthouse.

Most tourists who stay with the Anastases find their house by chance. Some are led to the Barrier’s eight-metre-high concrete walls, which divide Bethlehem from nearby Jerusalem, on a hunt for Banksy; several of the artist's stencils, such as that of a girl frisking a soldier, can be found in the vicinity. If they are able to tear themselves away from the diverse, moving graffiti that colours the walls here in Bethlehem, they might find Claire Anastas or her husband Johnny at their home and adjacent souvenir shop.


Claire Anastas' "Banksy's Guest House" is an altogether simpler affair (Claire Anastas)

This was once a busy road, and Johnny ran a successful mechanics business here. But after Israel put up the wall during the Second Intifada, with the express aim of warding off terrorist attacks emanating from the West Bank, his business folded. They decided to open a gift shop and guesthouse after the sudden loss of the family's main source of income.

A guest who stayed with the Anastases recently described it as a “truly memorable and special experience” on Tripadvisor, while others praised the breakfast, and the homeliness of the rooms. But such things aren't really the point. The Anastas hotel offers a stark glimpse of what life behind the wall is like for Palestinians, and apart from aiding the family financially, they say that tourists staying have deterred once-frequent night-time raids by Israeli soldiers.

Claire Anastas concedes that it is possible that Banksy’s team had forgotten about, or weren't aware, of her hotel. But most Bethlehem locals we spoke to knew of it.

The first Anastas heard of Banksy’s Walled Off Hotel was last Friday, when the artist’s plans were announced to the media. She thinks it “weird” that no one from Banksy's team contacted her first: “It's online. And they can find it on [Google Maps], because we put it there.”

The Independent asked Banksy’s representatives whether he had known of another walled-in hotel in the area before opening his own. They declined to comment.


Johnny Anastes in front of the wall (Darren Loucaides)

The Anastas family aren't the only locals with concerns about Banksy’s new hotel, however.

“The idea to make this kind of hotel an interesting place for arts – I support this,” says Muhannad Al Azzeh, a local graffiti artist who was born in Dheisheh refugee camp, close to the wall. “But I’m against what people are saying – that this could be a [profit-making] business for Banksy.”

Al Azzeh is one of many local artists who are against having the Barrier painted altogether; since Banksy's first visit in 2005, the walls have been covered in eclectic graffiti and murals by international and Palestinian artists. “I want people to see an apartheid wall, a military wall,” says Al Azzeh. “I don't want them to discuss whether this painting is by Banksy, or whichever artist. I don't want to forget all the Palestinian people killed there... when Israeli soldiers shot them.”

What’s more, some of the work by Banksy and other artists in the new hotel crosses a line for Al Azzeh. The painting of an Israeli soldier and Palestinian civilian fighting with pillows above a bed in one of the rooms trivialises the conflict, he says. And the much vaunted idea of Israelis visiting the hotel to have a new viewpoint on the conflict doesn’t impress him.

“I am completely against inviting Palestinians and Israelis to spend the day together in the hotel,” he says, adding that to him, such an approach does not tally with the struggle against occupation.

“I see how [Banksy’s] work brings a lot of people to Bethlehem, to see the wall and the city,” says Ayed Arafah, another local artist. “But now all the people who come to take photos of the paintings and graffiti…it’s become like Disneyland. Like you are living in a zoo.”

Banksy’s representatives declined to comment when asked whether the artist had considered locals’ opinions before launching his hotel.

As for Claire Anastas, she’s holding out hope that Banksy will offer to support her humble hotel alongside his own. Guests have spoken warmly about her lodgings, but Anastas says there are too few of them: “Once a month I have one guest come for one night. It’s not enough, at all,” she says. “I want to ask [Banksy] if he will help us, as we are struggling.”

“Or if he wants me to change the name, I will do it,” she adds. “I don’t want more trouble.”


www.independent.co.uk/travel/middle-east/walled-off-hotel-banksy-guesthouse-palestinians-bethlehem-israel-separation-barrier-graffiti-artist-a7617391.html

The only part of the hotel (or what I've seen of it) that I'm at all uncomfortable with is the Balfour waxwork. Israel's occupation of the West Bank and Gaza, the way they have policed it, and the big ugly wall are absolutely valid targets, but by including Balfour he takes aim not at Israel's actions but at Israel's existence, which is a different thing and in my opinion dangerous ground.

Banksy keeps returning to the occupied territories, and with that minor caveat I think it's commendable. But I do wonder what his opinion is of all the street artists, including his old pal Ben Eine, who flock to Dubai, take the cash of the extremely questionable regime there and paint pretty pictures on walls built by slaves.