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Post by feralthings on Apr 7, 2015 16:58:21 GMT
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Post by feralthings on Apr 7, 2015 16:59:49 GMT
Very sad to see there's been a military coup in Egypt this evening. If anyone is interested in helping to document the street art and graffiti since the revolution then there's crowdsourcing effort to help fund the remainder of the costs to get 'Walls of Freedom' published. Here's information about the project here and this video:
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Post by feralthings on Apr 7, 2015 17:00:44 GMT
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Post by feralthings on Apr 7, 2015 17:02:11 GMT
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Post by feralthings on Apr 7, 2015 17:03:00 GMT
New piece by Yazan and Tasso in Beruit There's a little video about protest graffiti in Cairo on the BBC website here; " The political turmoil in Egypt has seen the overthrow of two presidents, as well as conflict and mass demonstrations on the streets. The struggles are reflected in an explosion of graffiti on the walls of Cairo as people use their new-found freedoms to express different views. James Reynolds has been on a graffiti tour of the city."
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Post by feralthings on Apr 7, 2015 17:03:32 GMT
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Post by feralthings on Apr 7, 2015 17:04:18 GMT
A few new pieces by artists previously mentioned on this thread. Yazan: "Ali [Abdallah] was a homeless man, and the legend of Bliss Street. I have personally crossed Ali countless times on his street. A few months ago, Ali died on the coldest night of Beirut's winter because he was living in pitiful conditions. Ali's death triggered short-lived actions to help the homeless in Beirut (for one or two weeks). I painted this mural a few hundred meters from Ali's street to immortalize him and to remind us that we should not wait the death of another Ali to help others. I wrote "Ghadan Yawmone Afdal"(Tomorrow is a better day) while listening to a song of the similar title by Mashrou' Leila, in the hope that tomorrow will be a better day."ZephaeL Seed
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Post by feralthings on Apr 7, 2015 17:05:00 GMT
EPS Ali Rafei
The Dihzahyners
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Post by feralthings on Apr 7, 2015 17:06:22 GMT
Given the escalating conflict in Syria, I thought people might be interested in what's going on with art in the country. In 2011 some schoolchildren aged between 10 and 15 years graffitied the manta of the Arab Spring - ' The people want to overthrow the regime' - on the wall of their school in Dara'a. The school children were subsequently 'arrested' and tortured by al-Assad's internal security forces and it was this action which sparked the Syrian uprising. Beyond slogans strayed on walls, the main form of art on the streets are stencils of people killed over the last two years. For obvious reasons there aren't any street artists producing detailed murals and I know that this is a thread about arabic graffiti but there's some really interesting and important work being produced in the studio. Youssef Abdelke
Abdelke was imprisoned for a month, and only released this week, for committing the apparently heinous crime of signing a declaration calling for Bashar al-Assad to step down; it's not a coincidence that unhappily Abadlke was also a political prisoner for two years under the rule of Hafez al-Assad. Abdelke has been one of Syria's leading artists for years and his etchings and charcoal drawings cover a wide range of subjects from contemplative still lives to acerbic political commentry and satire. Tammam AzzamAzzam's 'Syrian Museum' images involve Photoshopping beautiful images of Western art onto war-ravaged Syrian buildings. Ali Ferzat
Ferzat is a political cartoonist whose work has satirically poked fun at the successive al-Assad regimes and Syria's corrupt, wealthy elite for years. In 2011 he was kidnapped and had both his hands broken but he's still drawing and still smiling. If anyone would like to help those still in Syria and those who have fled across the border to other areas of the Levant you can do so by donating towards the Disasters Emergency Committee's Syria Crisis Appeal.
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Post by feralthings on Apr 7, 2015 17:08:56 GMT
l'Atlas and Canto have a show at Castanier Gallery in Los Angeles. There are details here: "PARALLELS: L’ATLAS + THOMAS CANTO, SEPT 21 – OCT 20
Fabien Castanier Gallery is excited to announce our next exhibition, PARALLELS, featuring new work by L'Atlas and Thomas Canto. The show will open September 21 and run until October 20.
This exhibition brings together two French artists whose aesthetics draw from their mastery of geometry in space. Both L’Atlas and Canto have developed a keen sense of spatial awareness through street art, and have taken their inspirations to transcendent levels. The artists examine the intersection between abstraction and precise patterning, expressing their ideas with geometric forms through paintings and installations for their first exhibition in Los Angeles.
Opening Reception with the Artists | Saturday, Sept. 21 7-10pm"
Also,Vincent Abadie Hafez (aka Zepha) will be painting at Clutch Magazine's shindig at Galerie du Château d'Eau in Toulouse tomorrow night (6 September 2013) and will be collaborating with musician Johan Vasquez on a project called ' Sound Scripture' from 12 September to 5 October 2013. From what I can gather they'll be producing collaborative work both responding to calligraphy and there's a performance on the opening night. Details here.
And last up, I thought people might like to see Yazan's latest piece which features Mahmoud Darwish, who was the unofficial national poet of Palestine: "Mahmoud Darwiche wrote "On this Land, there’s what’s worth living for" when describing his homeland Palestine. I grew up in Beirut, a few kilometers from, Darwiche's homeland, but the political and economic instability have made immigration the choice of many. Personally, I am still in Beirut, I don't know why sometimes. For me too, I guess, "On this Land, there’s what’s worth living for."
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Post by feralthings on Apr 7, 2015 17:09:45 GMT
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Post by feralthings on Apr 7, 2015 17:10:42 GMT
A few things that have caught me eye lately... The work of French writer Demon: A recent interview with eL Seed on Complex.com: "On September 5, Leila Heller Gallery opened "Calligraffiti 1984/2013," an updated version of the original 1984 exhibition with the help of Jeffrey Deitch. Of the artist eL Seed, who contributes two pieces to the show, Deitch told the New York Times, “He is in a very genuine way working in this fusion between a calligraphic technique coming out of Arabic script and an awareness of international graffiti language. When we did the show originally in 1984, there wasn’t anyone like this. [Now] there is this actual fusion of the two traditions.” Full interview here.
And a recent piece by Reso in Ramallah in the West Bank:
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Post by feralthings on Apr 7, 2015 17:12:36 GMT
I'm glad eL Seed is getting more and more recognition. It seems to be opening up a lot of opportunities for him, which can only be a good thing. Thanks for the link to Zepha's last show. If I haven't said it before, I'd love to see photos of your Zepha piece when it arrives and you get it up on the wall. There's a smaller (66cmx85cm) mixed media on paper piece here by Zepha. It's one of my favourite pieces by him but sadly I won't be in a position to buy anything anytime soon. I hope it finds a good home though.
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Post by feralthings on Apr 7, 2015 17:13:40 GMT
Egyptian Street Art Ganzeer
Ganzeer was perhaps the most prominent of a whole wave of political street artists who emerged during the revolution: A memorial to Tarek Abdelatif Mohamed Al-Aktash who was just an ordinary family man who, like many others, was killed by the security forces in Tahrir Square: Part of Ganzeer's Vitrine Project about state surveillance: Ammar Abo BakrThis piece depicts the everyday people who lost their eyes in clashes with the security services prior to the 2011 parliamentary elections: "A painting of the late Major General Mohamed Batran, head of prison investigations, who was killed by police officers on January 28, 2011 for refusing orders to release prisoners to terrorize demonstrators." I don't know anything about el-Batran beyond this incident but it's worth noting that Egypt's prison system wasn't exactly a beacon of human rights before or after the revolution: Protestors and tear gas in Tahrir Square: Omar 'Picasso' FahryThis piece, featuring Mohamed Morsia, Field Marshal Tantawi and Hosni Mubarak, suggested that the military would seize power again and it turned out to be depressingly prophetic: Some graffiti themes are universal:
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Post by feralthings on Apr 7, 2015 17:14:19 GMT
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Post by feralthings on Apr 7, 2015 17:15:37 GMT
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Post by feralthings on Apr 7, 2015 17:16:33 GMT
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Post by feralthings on Apr 7, 2015 17:17:34 GMT
A few things... L'Atlas has a show entitled 'Extractions' at Magda Danysz Gallery in Paris opening this weekend. The artists statement which is posted on the gallery's website might provide an interesting insight for those not familiar with his work; it's available here. L'Atlas also has a joint exhibition with Méta Parole which is about to come to and end. It's at TAG City in Brussels and Parole will also be part of a group show at White and Art Gallery in Brussels called Expo BE.GRAFFITI opening on 26 October. And here's a recent piece painted with Belgium writer Eyes-B: This is Aya Tarek's work in progress at the City Leaks festival in Cologne. And there's an interesting interview with her as part of the 'Words of Women from the Egyptian Revolution' series; click on captions for subtitles:
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Post by feralthings on Apr 7, 2015 17:51:25 GMT
Zepha's piece from the ' Street Urban Art' festival in Kesserine, Tunisia: Yazan's sculpture from the 'Art For Peace' charity auction:
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Post by feralthings on Apr 7, 2015 17:52:10 GMT
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Post by feralthings on Apr 7, 2015 17:53:02 GMT
Graffiti and street art from the Arabian Peninsula... I love Arcacia Blank's textual interventions in Dubai; simple but but very effective. And his photography is great too: Colours of Life is a loose collective of artists painting in the Yemeni city of Ta'izz: Murad Subay is done some really interesting projects around the Yemeni capital Sana'a about poverty and 'disappeared' political prisoners. This piece is from a project where he painted 12 pieces in 12 hours about different social problems in the country. Yemen has the second highest rate of gun ownership in the world and I thought this piece cut straight to the chase very well: Abdullah Mohammed Alshehri has pasted his image of Sarah Attah competing at the 2012 Olympics all over the Saudia Arabia and I seem to remember seeing one in London too. Attah was the first Saudi women to compete in track and field: Nana is one of a group of female street artists in the Saudi city of Jeddah: There's a nice little blog about Kuwait's embryonic street art scene here: If only Bernie Ecclestone had got out and about during preparations for the Bahrain Grand Prix he might not come out with such monumentally stupid comments as: "I keep asking people what human rights are. I don't know what they are. The rights are; the people that live in a country abide by the laws of the country, whatever they are.”
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Post by feralthings on Apr 7, 2015 17:54:05 GMT
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Post by feralthings on Apr 7, 2015 17:54:39 GMT
Just a few things... The murals and calligraphy of Moroccan artist Khaled al Saai: Interesting interview with eL Seed about his forthcoming book on The National: A nice new pieces by Yazan entitled 'Salam' (Peace):
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Post by feralthings on Apr 7, 2015 17:55:11 GMT
I don't know if there are any Spanish forum members on here, but Zepha and Abdellatif Moustad will be painting with El Niño and Axel Void at the Arte Urbano 14 festival in Seville from 25 to 28 March:
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Post by feralthings on Apr 7, 2015 17:55:40 GMT
The month long Art Dubai event kicks off this weekend and includes a group show featuring both Yazan and Dotmasters: And eL Seed's book, which had been mentioned a couple of times on this thread and which looks bloody brilliant, will be launched next week: On the subject of books, apparently 'Walls of Freedom' (the new book about the graffiti of the Egyptian revolution from the publishers of 'Arabic Graffiti') has been banned from being published in China. I generally take the banning of a book to be a glowing recommendation and I'm looking forward to this one being published even more as a result.
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